The photo is a documentation of a relational embodiment practice of time and movement. Hereby I layed horizontally - face down - in the field and spiraled clockwords in a circle with my belly button forming the central axis. The practice lasted untill the burning grass and exaustion took over (18 minutes).
An installation of ceramic objects, photographs, painting series and a wall object.
Ceramic on black velt and steel frame. The ceramic work is part of a series where I experiment with making time and movement physically present in a fixated momentum. Resembling a quiet moment of transition or a slow unraveling below the surface.
Paint on cut-out pieces of satin paper on steel bar. This work was an experiment on slicing time and movement as transitional moments into linear and sequential paintings.